{"id":28,"date":"2022-11-15T11:34:17","date_gmt":"2022-11-15T11:34:17","guid":{"rendered":"https:\/\/grahamriach.com\/?page_id=28"},"modified":"2026-07-07T07:33:41","modified_gmt":"2026-07-07T07:33:41","slug":"publications","status":"publish","type":"page","link":"https:\/\/grahamriach.com\/?page_id=28","title":{"rendered":"Publications"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Books<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.liverpooluniversitypress.co.uk\/doi\/book\/10.3828\/9781837644704\" title=\"The Short Story After Apartheid: Thinking with Form in South African Literature \"><em>The Short Story After Apartheid<\/em>: Thinking with Form in South African Literature <\/a>(Liverpool: Liverpool University Press, 2023)<\/p>\n\n\n<p><p style=\"padding-left:35px;\">Awards<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Honourable Mention at the British Association for Contemporary Literature Monograph Prize<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Reviews<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Michael Chapman, <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/1013929X.2025.2464335\" title=\"\">\u2018The Short Story in South Africa: \u201cThinking with Form\u201d\u2019<\/a>, <em>Current Writing: Text and Reception in Southern Africa<\/em>, 37,1 (2025), pp 29\u201338<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Marta Fossati, \u2018<a href=\"DOI: 10.1386\/fict_00116_5\" title=\"\"><em>The Short Story After Apartheid: Thinking with Form in South African Literature<\/em>, Graham K. Riach (2023)\u2019<\/a>, <em>Short Fiction in Theory &amp; Practice<\/em>, 14, 2 (2025), pp. 272-6 (DOI: 10.1386\/fict_00116_5)<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Baron Glanvill, <a href=\"DOI: 10.2979\/ral.00054\" title=\"\">\u2018<em>The Short Story after Apartheid: Thinking with Form in South African Literature<\/em> by Graham K. Riach (Review)\u2019,<\/a> <em>Research in African Literatures<\/em>, 55,1 (2025), pp. 206\u20138. (DOI: 10.2979\/ral.00054)<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Jude Nwabuokei, <a href=\"DOI: 10.1080\/17449855.2024.2429278\" title=\"\">\u2018<em>The Short Story after Apartheid: Thinking with Form in South African Literature<\/em> by Graham K. Riach\u2019<\/a>, <em>Journal of Postcolonial Writing<\/em> (2024), pp. 470-4 (DOI: 10.1080\/17449855.2024.2429278)<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Mathilde Rogez, <a href=\"https:\/\/journals.openedition.org\/jsse\/4628\" title=\"\">\u2018Graham K. Riach, <em>The Short Story after Apartheid: Thinking with Form in South African Literature <\/em>(Liverpool: Liverpool UP, 2023)<\/a>\u2019, <em>Journal of the Short Story in English. Les Cahiers de La Nouvelle<\/em>, 83 (2024), pp. 251\u201355.<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Eckard Smuts, \u2018<a href=\"DOI: 10.1080\/17533171.2024.2375848\" title=\"\">Short Takes on Disjointed Times: Literary Form and Social Thought in Graham K. Riach\u2019s <em>The Short Story After Apartheid<\/em>\u2019<\/a>, <em>Safundi<\/em> (2024), pp. 361-369&nbsp;(DOI: 10.1080\/17533171.2024.2375848)<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\">Timothy Wright, <a href=\"DOI: 10.1080\/17533171.2024.2375837\" title=\"\">\u2018A Formalist in the Trenches: Graham K. Riach\u2019s <em>The Short Story After Apartheid<\/em>\u2019<\/a>, <em>Safundi<\/em> (2024), pp. 370-77 (DOI: 10.1080\/17533171.2024.2375837)<\/p><\/p>\n\n<p><p style=\"padding-left:35px;\"><a href=\"https:\/\/www.routledge.com\/An-Analysis-of-Gayatri-Chakravorty-Spivaks-Can-the-Subaltern-Speak\/Riach\/p\/book\/9781912127504\"><em>Gayatri Chakravorty Spivak\u2019s \u2018Can the Subaltern Speak?\u2019<\/em><\/a> (London: Routledge, 2017)<\/p><\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>Articles <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>(Please feel free to contact me for copies of these if unavailable to you)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018Clouded Memories: Alzheimer\u2019s and Archival Prosthesis in Rachel Heng\u2019s \u201cThe Rememberers\u201d and Naoko Nobutomo\u2019s <em>I Go Gaga, My Dear<\/em>\u2019, <em>Recherche litt\u00e9raire\/Literary Research<\/em>, (Commissioned for 2026)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"DOI: 10.16993\/rnef.181\" title=\"\">World, Self, Environment: Ecocritical Affordances in Yves Bonnefoy and Michel Henry\u2019<\/a>, <em>Nordic Journal of Francophone Studies<\/em>, 9.1 (2026), pp. 1-14<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/00111619.2021.1884036\">Opaque Poetics in Salvador Plascencia\u2019s <em>The People of Paper<\/em><\/a>\u2019, <em>Critique: Studies in Contemporary Fiction<\/em>, 62, 4 (2021), pp. 404-413<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"https:\/\/journals.sagepub.com\/doi\/full\/10.1177\/0021989418780937\">Henrietta Rose-Innes and the Politics of Space\u2019<\/a>, <em>Journal of Commonwealth Literature<\/em>, 55, 1 (2020), pp. 22-37<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018\u201c<a href=\"https:\/\/journals.sagepub.com\/doi\/10.1177\/0021989418777021\">Concrete Fragments\u201d: Interview with Henrietta Rose-Inne<\/a>s\u2019, <em>Journal of Commonwealth Literature<\/em>, 55, 1 (2020), pp. 111-120<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/03057070.2016.1249139?journalCode=cjss20\">The Late Nadine Gordimer<\/a>\u2019, <em>Journal of Southern African Studies<\/em>, 42, 6 (2016), pp. 1077-1094<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Awarded the <strong>Terence Ranger Prize<\/strong> for the best article by an early career author<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17533171.2014.984470\">Sticking Together: Ivan Vladislavi\u0107\u2019s Collage Practice<\/a>\u2019, <em>Safundi<\/em>, 16, 1 (2015), pp. 78-95<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Book Chapters <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>(Please feel free to contact me for copies of these if unavailable to you)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018Phaswane Mpe\u2019s Lyrical Brooding\u2019, <em>Critical Perspectives on K. Sello Duiker, Phaswane Mpe, Yvonne Vera and Dambudzo Marechera<\/em> (London: Bloomsbury 2028 Commissioned)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018Modernism and Music in South Africa\u2019, <em>South African Modernism <\/em>(Cambridge: Cambridge University Press) (Forthcoming 2026)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018J.M. Coetzee and the Work of Music\u2019, <em><a href=\"https:\/\/www.bloomsbury.com\/uk\/bloomsbury-handbook-to-j-m-coetzee-9781350152052\/\" title=\"\">The Bloomsbury Companion to J.M. Coetzee <\/a><\/em>(London: Bloomsbury, 2023), pp. 407-414<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018<a href=\"https:\/\/ora.ox.ac.uk\/objects\/uuid:b8382a6a-3de6-43cb-ac0b-1b56688c787c\/download_file?safe_filename=Riach_2020_Myth_orality_and.pdf&amp;type_of_work=Book+section\">Myth, Orality, and the African Novel<\/a>\u2019, <em>Cambridge Critical Concepts: Magical Realism and Literature <\/em>(Cambridge: Cambridge University Press, 2020), pp. 148-163<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018Ways of Staying, Ways of Saying: From Black Writing in Britain to Black British Writing\u2019, <em>T<a href=\"https:\/\/www.bloomsbury.com\/uk\/1960s-9781350011700\/\" title=\"\">he 1960s: A Decade of Contemporary British Fiction<\/a><\/em>, ed. by James Riley, Melanie Seddon, Phil Tew&nbsp;(London: Bloomsbury, 2018), pp. 137-164<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Reviews<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/slipnet.co.za\/view\/reviews\/anodyne-cambridge-history-still-hits-the-mark\/\" title=\"\">\u2018\u201cAnodyne\u201d Cambridge History Still Hits the Mark\u2019, <\/a>review of <em>The Cambridge History of South African Literature<\/em>, <em>SLiPNET<\/em>, 2012 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Books The Short Story After Apartheid: Thinking with Form in South African Literature (Liverpool: Liverpool University Press, 2023) Awards Honourable Mention at the British Association for Contemporary Literature Monograph Prize Reviews Michael Chapman, \u2018The Short Story in South Africa: \u201cThinking with Form\u201d\u2019, Current Writing: Text and Reception in Southern Africa, 37,1 (2025), pp 29\u201338 Marta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Books The Short Story After Apartheid: Thinking with Form in South African Literature (Liverpool: Liverpool University Press, 2023) Awards Honourable Mention at the British Association for Contemporary Literature Monograph Prize Reviews Michael Chapman, \u2018The Short Story in South Africa: \u201cThinking with Form\u201d\u2019, Current Writing: Text and Reception in Southern Africa, 37,1 (2025), pp 29\u201338 Marta\" \/>\n\t<meta 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Marta"},"aioseo_meta_data":{"post_id":"28","title":null,"description":null,"keywords":null,"keyphrases":{"focus":{"keyphrase":"","score":0,"analysis":{"keyphraseInTitle":{"score":0,"maxScore":9,"error":1}}},"additional":[]},"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"WebPage","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":{"faqs":[],"keyPoints":[],"schemas":[],"titles":[],"descriptions":[],"socialPosts":{"email":{"subject":"","preview":"","content":""},"linkedin":[],"twitter":[],"facebook":[],"instagram":[]}},"created":"2022-11-15 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